Nooru Saami
is a truly proud Tamil film. There is no hidden sarcasm in that statement. I genuinely mean it. Until the very end, I kept feeling nervous inside, hoping the makers would not turn everything into unnecessary cinematic emotion. But thankfully, this film is an emotional roller coaster in the best possible way. There are many actors worth talking about, and I will mention them as we go along. So, let us get into how this emotional roller coaster felt.
According to the story, this should not be seen as just another movie. That is important. Obviously, this is a remake that closely follows a real life incident, even keeping the original names unchanged. When Selvi lost her husband at the age of 26, she was left with two young sons. Even at that difficult time, her relatives did not really stand by her and help share her responsibilities. So she took up whatever work she could find and raised both her sons on her own.
At that point, I expected one of those sons to eventually grow up to be Vijay Antony. But no. The boys remain exactly who they are throughout the film. Now Selvi is 42 years old. Back when her sons were still studying and had not yet started working, she once expressed a desire to have a second chance at life and find a companion. But her elder son Bhaskar reacted strongly against the idea. So Selvi buried that thought and continued living only for her children. Years passed, and now she is 42.
The interesting thing is that only now Bhaskar finally understands something important. He no longer sees his mother as just a mother. He realizes she is a human being trapped within the same four walls, repeating the same routine every day. Only now does he understand that she deserves companionship too. You foolish fellow, what exactly was your problem with accepting this back then? But even if Selvi agrees now, the next question is always how society will see it. That is where many people fail. The fear of what will others think. It is not an imaginary fear. There are countless consequences attached to it. Without turning the film into a social message campaign, director Sasi presents an entire life journey on screen.
Seriously, what kind of human are you? I mean that as the highest compliment. In 28 years, he has directed only nine films. Yet I cannot easily separate them into categories like great, average, or weak. I honestly wonder if anyone else could have made a film like this. At least from what I have seen. My own experience is my only measuring stick. I can proudly say I am going to watch a Sasi film because he consistently delivers meaningful cinema. The only one of his films I still have not watched is Dishyum.
Next comes Swasika, who plays Selvi. I remember Vijay Antony mentioning in an interview that this story remained unmade for years because they could not find the right person to play Selvi. m, I cannot imagine anyone else in that role. She absolutely nailed it. People often use the phrase lived the character. Here, it feels true. The scenes where Selvi talks to the ceiling fan as if it were her companion genuinely brought tears to my eyes. I cannot even explain why. We often hear the saying that relationships stay with us only up to a certain point. This film shows exactly how far those relationships really go and why they exist in the first place. Some scenes are painful to watch because they feel so real.
Then there is Ajay Dhishan as the elder son Bhaskar and Sakthi as the younger son. Ajay Dhishan appeared in Margan. As for Sakthi, most people probably know him already. Comedy may not always work for him, but acting certainly does. Yes, he is the same Portugal Pombala Police Sakthi who appeared as a comedian in Season 2 of Cooku with Comali.
Even after Selvi's sons become willing to arrange a marriage for their mother, we cannot simply assume everything will go smoothly. There are countless obstacles that can appear in different forms. The effort these two actors put into showing that struggle is remarkable. Calling it acting almost feels insufficient. You will understand when you watch the film.
Apart from them, there are many others including Jenson Diwakar, Bucks Bhagavathi, Thamarai Selvi, Kodangi Vadivel, Aruldoss, Lijomol Jose, and Vinodhini Vaidyanathan. But if I had to single out two performances, it would be Balaji Sakthivel and Karunas. The others have relatively limited screen time, but these two leave a powerful impact. That does not mean only they shine. There are many performers whose names I do not even know, so I cannot properly mention them. Honestly, instead of me describing every scene individually, it is better if you watch the film yourself. Every scene can be discussed and appreciated on its own. But that is not what this write up is about.
After a very long time, I finished a movie with the satisfaction of having watched a true cinema experience.
Let's meet in my next post again, friends... See ya!
No comments:
Post a Comment